Graduated in classical dance at the Institut del Teatre de Barcelona (1991-1997). HBO career at the Koninklijk Conservatorun in The Hague (1998). After dancing with several Catalan contemporary dance companies (Avelina Argüelles; Danat Dansa, Trànsit, etc.) in 1999 he joined the Cía. Sea Gomez. Since then and up to the present, he has participated as a dancer and choreographic director in almost all the company’s shows, performing hundreds of performances nationally and internationally. He is currently co-director of both the Mar Gómez Dance Company and the “Sala Melmac” creation space in Barcelona.

Among the operas in which he has worked as a dancer, choreographer, assistant choreographer and/or assistant director, it is worth highlighting “The Fairy Queen” (Lindsay Kemp, Salamanca 2002); “Midsummer night’s dream” (Lindsay Kemp, Pisa, 2003); “La Traviata” (Lindsay Kemp, Pisa/Chieti 2003/2004); Madama Butterfly (Lindsay Kemp, Peralada 2006); “The Tales of Hoffmannn” (Lindsay Kemp, Palace of Festivals of Santander 2007); El Gancho (Cia Mar Gómez, Gran Teatre del Liceu 2006); “Benvenuto Cellini” (Terry Gilliam, Opera di Roma 2016); “Aida” (Gran Teatre del Liceu 2019), “Pikovaia Dama” (Gilbert Deflo, Gran Teatre del Liceu 2021); “The Magic Flute” (David Mc Vickar, Gran Teatre del Liceu 2022); “The Fairy Queen” (Joan Anton Rechi, Peralada 2022).

Lladró Award for the most outstanding dancer at the 2001 Dansa València Festival; Award from the Generalitat Valenciana 2002 for the best choreographic direction with the show “Hay un pícaro en el corral” by Cía Mar Gómez and winner of the National Prize for short novel Valentín García Yebra with the novel “Remedios de noche” edited by Ediciones Nostrum (2008).